Once that’s done, there’s only one step left: set up your flash how and where you want it-and trigger it to light your subject. You want to block out all the natural light in the scene. If you’re still getting a brighter exposure than you’d like, feel free to stop down your aperture to minimize the amount of light entering your camera. Set ISO as low as possible to reduce your camera’s sensitivity to light, and use your camera’s fastest shutter sync speed. It’s also possible to mimic the effect of a black backdrop by using a clever technique the photographer and educator Glyn Dewis has dubbed “the invisible black backdrop.” You only need an off-camera flash and a camera to try it out-no studio necessary.īefore you even bring out your flash, adjust your settings so that you’re able to take an entirely blank, black photo.
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